The Birth-Mark - Paperback

The Birth-Mark - Paperback

SKU: 9780819562630 In Stock
Regular price$41.11

by Susan Howe (Author)

A stimulating examination of early American literature

Susan Howe approaches early American literature as pet and critic, blending scholarship with passionate commitment and unique view of her subject. The Birth-mark traces the collusive relationships among tradition, the constitution of critical editions, literary history and criticism, the institutionalized roles of poetry and prose, and the status of gender. Through an examination of the texts and editorial histories of Thomas Shepard's conversion narratives, the captivity narrative of Mary Rowlandson, and the poetry of Emily Dickinson, Howe reads our intellectual inheritance as a series of civil wars, where each text is a wilderness in which a strange and lawless author confronts interpreters and editors eager for settlement. In a concluding interview, Howe comments on her approach and recounts some the crucial biographical events that sparked her interest in early American literature.

Author Biography

SUSAN HOWE is a poet and Professor of English at the State University of New York- Buffalo. She is also the author of numerous critical essays including My Emily Dickinson (1985), and most recently "Sorting Facts; or, Nineteen Ways of Looking at Marker" in Beyond Document: Essays on Nonfiction Film (Wesleyan, 1996), edited by Charles Watten. Her books of poetry include Singularities (1990), The Europe of Trusts: Selected Poems (1989), Articulation of Sound Forms in Time (1987), and most recently, Frame Structures: Early poems, 1974-1979 (1995).

Number of Pages: 208
Dimensions: 0.59 x 9 x 6.02 IN
Publication Date: April 01, 1993
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by Susan Howe (Author)

A stimulating examination of early American literature

Susan Howe approaches early American literature as pet and critic, blending scholarship with passionate commitment and unique view of her subject. The Birth-mark traces the collusive relationships among tradition, the constitution of critical editions, literary history and criticism, the institutionalized roles of poetry and prose, and the status of gender. Through an examination of the texts and editorial histories of Thomas Shepard's conversion narratives, the captivity narrative of Mary Rowlandson, and the poetry of Emily Dickinson, Howe reads our intellectual inheritance as a series of civil wars, where each text is a wilderness in which a strange and lawless author confronts interpreters and editors eager for settlement. In a concluding interview, Howe comments on her approach and recounts some the crucial biographical events that sparked her interest in early American literature.

Author Biography

SUSAN HOWE is a poet and Professor of English at the State University of New York- Buffalo. She is also the author of numerous critical essays including My Emily Dickinson (1985), and most recently "Sorting Facts; or, Nineteen Ways of Looking at Marker" in Beyond Document: Essays on Nonfiction Film (Wesleyan, 1996), edited by Charles Watten. Her books of poetry include Singularities (1990), The Europe of Trusts: Selected Poems (1989), Articulation of Sound Forms in Time (1987), and most recently, Frame Structures: Early poems, 1974-1979 (1995).

Number of Pages: 208
Dimensions: 0.59 x 9 x 6.02 IN
Publication Date: April 01, 1993

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We deliver your parcel within 2–3 working days. As soon as your package has left our warehouse, you will receive a confirmation by email. This confirmation contains a tracking number that you can use to find out where your package is.

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