Title
T. S. Eliot: An Essay on the American Magus - Paperback
by Marion Montgomery (Author)
This brilliantly allusive and gracefully written study is focused on T. S. Eliot's developing commitment to Christianity, but the essay is by no means procrustean or reductive in its strategies, nor is it theological.
Montgomery shows how Eliot's intellectual and emotional uneasiness in the early poems is reflected in such technical devices as point of view and imagery. The questions of the poem's voice and the poet's mask (which are often ironic in nature) become less pressing as time goes on, and finally Eliot comes to a dynamic stillness--a frozen point in the sea of change that is variously called nature, history, and society. This stillness embodies the poet's rendering of Christian incarnation--the Word within the word. The author finds too that Eliot's imagery grows richer during the progress of his spiritual journey. As the imagery becomes more religious it also grows more complex and more concrete. Eliot in the end decides the poet's personal struggle to know his world is more important than the poetry which "does not matter," as he says in East Coker. Paradoxically the poetry of T. S. Eliot takes on an increasingly classical quality as it steadily becomes more personal and Christian. Montgomery accordingly shows how Eliot ultimately arrives "where he started and sees the place for the first time."Author Biography
Marion Montgomery is a poet, novelist, and critic who taught English at the University of Georgia for more than thirty years. His most recent books include "With Walker Percy at the Tupperware Party: in Company with Flannery O'Connor, T. S. Eliot, and Others" and "Hillbilly Thomist: Flannery O'Connor, St. Thomas and the Limits of Art," as well as "On Matters Southern: Essays About Literature and Culture, 1964-2000."
by Marion Montgomery (Author)
This brilliantly allusive and gracefully written study is focused on T. S. Eliot's developing commitment to Christianity, but the essay is by no means procrustean or reductive in its strategies, nor is it theological.
Montgomery shows how Eliot's intellectual and emotional uneasiness in the early poems is reflected in such technical devices as point of view and imagery. The questions of the poem's voice and the poet's mask (which are often ironic in nature) become less pressing as time goes on, and finally Eliot comes to a dynamic stillness--a frozen point in the sea of change that is variously called nature, history, and society. This stillness embodies the poet's rendering of Christian incarnation--the Word within the word. The author finds too that Eliot's imagery grows richer during the progress of his spiritual journey. As the imagery becomes more religious it also grows more complex and more concrete. Eliot in the end decides the poet's personal struggle to know his world is more important than the poetry which "does not matter," as he says in East Coker. Paradoxically the poetry of T. S. Eliot takes on an increasingly classical quality as it steadily becomes more personal and Christian. Montgomery accordingly shows how Eliot ultimately arrives "where he started and sees the place for the first time."Author Biography
Marion Montgomery is a poet, novelist, and critic who taught English at the University of Georgia for more than thirty years. His most recent books include "With Walker Percy at the Tupperware Party: in Company with Flannery O'Connor, T. S. Eliot, and Others" and "Hillbilly Thomist: Flannery O'Connor, St. Thomas and the Limits of Art," as well as "On Matters Southern: Essays About Literature and Culture, 1964-2000."
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This warranty strictly does not cover damages that arose from negligence, misuse, wear and tear, or not in accordance with product instructions (dropping the product, etc.).
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