Title
Reinventing Reality-The Art and Life of Rouben Mamoulian - Hardcover
by Mark J. Spergel (Author)
Theatre and film director Rouben Mamoulian (1897-1987) is known chiefly as a technical innovator and stylist. His stage credits include the original Broadway productions of Porgy and Bess (1935), and Oklahoma (1943); his sixteen completed films include Dr. Jekyll and Mr. Hyde (1931), Golden Boy (1939), The Mark of Zorro (1940), and Silk Stockings (1957).
In the theatre, Mamoulian integrated the various contributory arts of the American musical, transforming the near variety-show format of musicals into a dramatic unity of plot, character, music, and dance. He thus opened the stage to what would later be termed the "golden age" of the American book musical of the 1950s and 60s. In early sound films, Mamoulian restored mobility to the camera, rediscovered montage, redefined close-ups, split-screen, and dissolves, invented the voice-over, and was first to use multitrack sound recording. He directed the first live-action Technicolor film, Becky Sharp (1935). Spergel introduces previously undisclosed personal documents about the Mamoulian that necessitate a re-examination of Mamoulian's own statements about his life. He shows that the central theme in Mamoulian's art and life, as he describes it-to overcome the world and embrace truth-extended to the telling of his own history. Mamoulian believed he could alter that history through stylized presentation, idealizing the truth, and thereby raising numerous questions about historiography in general.Back Jacket
In the theatre, Mamoulian integrated the various contributory arts of the American musical, transforming the near variety-show format of musicals into a dramatic unity of plot, character, music, and dance. He thus opened the stage to what would later be termed the "golden age" of the American book musical of the 1950s and 60s. In early sound films, Mamoulian restored mobility to the camera, rediscovered montage, redefined close-ups, split-screen, and dissolves, invented the voice-over, and was first to use multitrack sound recording. He directed the first live-action Technicolor film, Becky Sharp (1935). Spergel introduces previously undisclosed personal documents about Mamoulian that necessitate a reexamination of Mamoulian's own statements about his life. He shows that the central theme in Mamoulian's art and life, as he describes it - to overcome the world and embrace truth - extended to the telling of his own history. Mamoulian believed he could alter that history through stylized presentation, idealizing the truth and thereby raising numerous questions about historiography in general.
Author Biography
Mark Spergel ( Ph.D., CUNY) is Director of Evening and Graduate Services at Baruch Colleges. Spergel's work in professional theatre, opera, film, and television dates back to the early 1970s. Among the companies he has been involved with are the Jewish Repertory Theatre, Masterworks Laboratory Theatre, and the Colorado Opera Festival. In 1980, Dr. Spergel co-founded Director's Collective in NYC, for which he serves as co-Artistic Director. His articles have appeared in Ararat and The Journal of the Pirandello Society.
by Mark J. Spergel (Author)
Theatre and film director Rouben Mamoulian (1897-1987) is known chiefly as a technical innovator and stylist. His stage credits include the original Broadway productions of Porgy and Bess (1935), and Oklahoma (1943); his sixteen completed films include Dr. Jekyll and Mr. Hyde (1931), Golden Boy (1939), The Mark of Zorro (1940), and Silk Stockings (1957).
In the theatre, Mamoulian integrated the various contributory arts of the American musical, transforming the near variety-show format of musicals into a dramatic unity of plot, character, music, and dance. He thus opened the stage to what would later be termed the "golden age" of the American book musical of the 1950s and 60s. In early sound films, Mamoulian restored mobility to the camera, rediscovered montage, redefined close-ups, split-screen, and dissolves, invented the voice-over, and was first to use multitrack sound recording. He directed the first live-action Technicolor film, Becky Sharp (1935). Spergel introduces previously undisclosed personal documents about the Mamoulian that necessitate a re-examination of Mamoulian's own statements about his life. He shows that the central theme in Mamoulian's art and life, as he describes it-to overcome the world and embrace truth-extended to the telling of his own history. Mamoulian believed he could alter that history through stylized presentation, idealizing the truth, and thereby raising numerous questions about historiography in general.Back Jacket
In the theatre, Mamoulian integrated the various contributory arts of the American musical, transforming the near variety-show format of musicals into a dramatic unity of plot, character, music, and dance. He thus opened the stage to what would later be termed the "golden age" of the American book musical of the 1950s and 60s. In early sound films, Mamoulian restored mobility to the camera, rediscovered montage, redefined close-ups, split-screen, and dissolves, invented the voice-over, and was first to use multitrack sound recording. He directed the first live-action Technicolor film, Becky Sharp (1935). Spergel introduces previously undisclosed personal documents about Mamoulian that necessitate a reexamination of Mamoulian's own statements about his life. He shows that the central theme in Mamoulian's art and life, as he describes it - to overcome the world and embrace truth - extended to the telling of his own history. Mamoulian believed he could alter that history through stylized presentation, idealizing the truth and thereby raising numerous questions about historiography in general.
Author Biography
Mark Spergel ( Ph.D., CUNY) is Director of Evening and Graduate Services at Baruch Colleges. Spergel's work in professional theatre, opera, film, and television dates back to the early 1970s. Among the companies he has been involved with are the Jewish Repertory Theatre, Masterworks Laboratory Theatre, and the Colorado Opera Festival. In 1980, Dr. Spergel co-founded Director's Collective in NYC, for which he serves as co-Artistic Director. His articles have appeared in Ararat and The Journal of the Pirandello Society.
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We provide a 2-year limited warranty, from the date of purchase for all our products.
If you believe you have received a defective product, or are experiencing any problems with your product, please contact us.
This warranty strictly does not cover damages that arose from negligence, misuse, wear and tear, or not in accordance with product instructions (dropping the product, etc.).
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Your payment information is processed securely. We do not store credit card details nor have access to your credit card information.
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