Title
Narrating the Self: Fictions of Japanese Modernity - Paperback
by Tomi Suzuki (Author)
Examines the historical formation of modern Japanese literature through a fundamental reassessment of its most characteristic form, the "I-novel," an autobiographical narrative thought to recount the details of the writer's personal life thinly veiled as fiction.
Back Jacket
This is an extraordinary book. It is the most systematic and critical treatment of what may be termed the 'postwar theoretical hysteria.' In the process, the study introduces for the first time in English a number of very important primary sources and provides sensitive and insightful new readings of some of the texts crucial to the formation of the Japanese literary canon. In presenting this critically informed 'new literary history, ' Suzuki frees the reader to become aware of a far greater diversity and multiplicity of voices in the Japanese novel, voices that have often been silenced by a monolithic totalizing theory of Japan. . . . This study is required reading for those with an interest in Japanese literature and modern Japanese intellectual history, and should occasion reflection on how we teach and have taught Japanese literature in the United States.--Journal of Japanese Studies
Author Biography
Tomi Suzuki is Associate Professor of Japanese and Comparative Literature at Queens College of the City University of New York.
by Tomi Suzuki (Author)
Examines the historical formation of modern Japanese literature through a fundamental reassessment of its most characteristic form, the "I-novel," an autobiographical narrative thought to recount the details of the writer's personal life thinly veiled as fiction.
Back Jacket
This is an extraordinary book. It is the most systematic and critical treatment of what may be termed the 'postwar theoretical hysteria.' In the process, the study introduces for the first time in English a number of very important primary sources and provides sensitive and insightful new readings of some of the texts crucial to the formation of the Japanese literary canon. In presenting this critically informed 'new literary history, ' Suzuki frees the reader to become aware of a far greater diversity and multiplicity of voices in the Japanese novel, voices that have often been silenced by a monolithic totalizing theory of Japan. . . . This study is required reading for those with an interest in Japanese literature and modern Japanese intellectual history, and should occasion reflection on how we teach and have taught Japanese literature in the United States.--Journal of Japanese Studies
Author Biography
Tomi Suzuki is Associate Professor of Japanese and Comparative Literature at Queens College of the City University of New York.
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