Title
Meter in Music, 1600-1800: Performance, Perception, and Notation - Paperback
by George Houle (Author)
"All practising musicians with an interest in the baroque owe it to themselves to be exposed to the ideas contained in this book." --Continuo
"This is a book from an excellent musician in the early field who turns out also to be a most persistent scholar . . . " --Early Music
" . . . the book offers a vast quantity of data from a wide range of sources. . . . George Houle is to be congratulated for his honest presentation of the entire spectrum." --Music Educators Journal
The treatment of meter in performance has evolved dramatically since 1600. Here is a practical guide for the performer, with many quotations from early manuals and treatises, and abundant examples.
Author Biography
George Houle, Professor Emeritus of Music at Stanford University and former music director of the New York Pro Musica, is a performer and music historian particularly interested in the Renaissance and Baroque periods. He is editor of Doulce mémoire, Le ballet des fâcheux, and Ockeghem's Missa Cuiusvis Toni, and co-editor of The Music for Viola Bastarda by Jason Paras (all from Indiana University Press).
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by George Houle (Author)
"All practising musicians with an interest in the baroque owe it to themselves to be exposed to the ideas contained in this book." --Continuo
"This is a book from an excellent musician in the early field who turns out also to be a most persistent scholar . . . " --Early Music
" . . . the book offers a vast quantity of data from a wide range of sources. . . . George Houle is to be congratulated for his honest presentation of the entire spectrum." --Music Educators Journal
The treatment of meter in performance has evolved dramatically since 1600. Here is a practical guide for the performer, with many quotations from early manuals and treatises, and abundant examples.
Author Biography
George Houle, Professor Emeritus of Music at Stanford University and former music director of the New York Pro Musica, is a performer and music historian particularly interested in the Renaissance and Baroque periods. He is editor of Doulce mémoire, Le ballet des fâcheux, and Ockeghem's Missa Cuiusvis Toni, and co-editor of The Music for Viola Bastarda by Jason Paras (all from Indiana University Press).
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We deliver your parcel within 2–3 working days. As soon as your package has left our warehouse, you will receive a confirmation by email. This confirmation contains a tracking number that you can use to find out where your package is.
Returns
We offer free returns within 30 days. All you have to do is fill out the return slip that you received in your package and stick the prepaid label on the package.Please note that it can take 2 weeks for us to process your return. We will do our best to complete this process as soon as possible.
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We provide a 2-year limited warranty, from the date of purchase for all our products.
If you believe you have received a defective product, or are experiencing any problems with your product, please contact us.
This warranty strictly does not cover damages that arose from negligence, misuse, wear and tear, or not in accordance with product instructions (dropping the product, etc.).
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