Flannery O'Connor's Dark Comedies: The Limits of Inference - Paperback

Flannery O'Connor's Dark Comedies: The Limits of Inference - Paperback

SKU: 9780807142455 In Stock
Regular price$39.35

by Carol Shloss (Author)

In Flannery O'Connor's Dark Comedies, Carol Shloss moves from biographical, thematic, and theological approaches and instead focuses her criticism on the successes and failures of O'Connor as a rhetorician.
This valuable study of O'Connor's style uses reader-response theory to dissect the author's use of hyperbole, distortion, allusion, analogy, the dramatization of extreme religious experience, the manipulation of judgment through narrative voice, and direct address to the reader.
Schloss aims to return Flannery O'Connor to her readers on fathomable terms, to offer a rhetorical, rather than theological, perspective from which to understand the country preachers, square-jawed farm wives, wise rubes, foolish intellectuals, huckster Bible salesmen, killers, and other "good country people" who populate O'Connor's fiction.

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"Shloss helps us to understand O'Connor's greatest talents: mastery of language, wry humor, and ultimate concern about the human condition." -- Choice

"Brilliantly argued, solidly documented.... [this book] reaffirms the value of O'Connor's art and freshly asserts O'Connor's preeminence as a secular moralist.... Shloss makes O'Connor available to new readers and to old, especially those estranged by the inherent paradoxes of O'Connor's achievement." -- Virginia Quarterly Review

"A scholarly, sophisticated work of literary criticism which explores the anagogical dimensions of O'Connor's art." -- Canadian Review of American Studies

In Flannery O'Connor's Dark Comedies, Carol Shloss moves away from biographical, thematic, and theological approaches to O'Connor and instead focuses on her successes and failures as a rhetorician.

This valuable study of O'Connor's style employs reader-response theory to dissect the author's use of hyperbole, distortion, allusion, analogy, the dramatization of extreme religious experience, the manipulation of judgment through narrative voice, and direct address to the reader.

Shloss aims to return Flannery O'Connor to her readers on fathomable terms, to offer a rhetorical, rather than theological, perspective from which to understand the country preachers, square-jawed farm wives, wise rubes, foolish intellectuals, huckster Bible salesmen, killers, and other "good country people" who populate O'Connor's fiction.

Author Biography

Carol Shloss is a consulting professor in English at Stanford University.

Number of Pages: 172
Dimensions: 0.5 x 8.4 x 5.4 IN
Publication Date: January 16, 2012
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by Carol Shloss (Author)

In Flannery O'Connor's Dark Comedies, Carol Shloss moves from biographical, thematic, and theological approaches and instead focuses her criticism on the successes and failures of O'Connor as a rhetorician.
This valuable study of O'Connor's style uses reader-response theory to dissect the author's use of hyperbole, distortion, allusion, analogy, the dramatization of extreme religious experience, the manipulation of judgment through narrative voice, and direct address to the reader.
Schloss aims to return Flannery O'Connor to her readers on fathomable terms, to offer a rhetorical, rather than theological, perspective from which to understand the country preachers, square-jawed farm wives, wise rubes, foolish intellectuals, huckster Bible salesmen, killers, and other "good country people" who populate O'Connor's fiction.

Back Jacket

"Shloss helps us to understand O'Connor's greatest talents: mastery of language, wry humor, and ultimate concern about the human condition." -- Choice

"Brilliantly argued, solidly documented.... [this book] reaffirms the value of O'Connor's art and freshly asserts O'Connor's preeminence as a secular moralist.... Shloss makes O'Connor available to new readers and to old, especially those estranged by the inherent paradoxes of O'Connor's achievement." -- Virginia Quarterly Review

"A scholarly, sophisticated work of literary criticism which explores the anagogical dimensions of O'Connor's art." -- Canadian Review of American Studies

In Flannery O'Connor's Dark Comedies, Carol Shloss moves away from biographical, thematic, and theological approaches to O'Connor and instead focuses on her successes and failures as a rhetorician.

This valuable study of O'Connor's style employs reader-response theory to dissect the author's use of hyperbole, distortion, allusion, analogy, the dramatization of extreme religious experience, the manipulation of judgment through narrative voice, and direct address to the reader.

Shloss aims to return Flannery O'Connor to her readers on fathomable terms, to offer a rhetorical, rather than theological, perspective from which to understand the country preachers, square-jawed farm wives, wise rubes, foolish intellectuals, huckster Bible salesmen, killers, and other "good country people" who populate O'Connor's fiction.

Author Biography

Carol Shloss is a consulting professor in English at Stanford University.

Number of Pages: 172
Dimensions: 0.5 x 8.4 x 5.4 IN
Publication Date: January 16, 2012

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Shipping
We deliver your parcel within 2–3 working days. As soon as your package has left our warehouse, you will receive a confirmation by email. This confirmation contains a tracking number that you can use to find out where your package is.

Returns
We offer free returns within 30 days. All you have to do is fill out the return slip that you received in your package and stick the prepaid label on the package.Please note that it can take 2 weeks for us to process your return. We will do our best to complete this process as soon as possible.

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We provide a 2-year limited warranty, from the date of purchase for all our products.

If you believe you have received a defective product, or are experiencing any problems with your product, please contact us.

This warranty strictly does not cover damages that arose from negligence, misuse, wear and tear, or not in accordance with product instructions (dropping the product, etc.).

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