Title
Eighteenth-Century Poetry: An Annotated Anthology - Paperback
by David Fairer (Editor), Christine Gerrard (Editor)
Currently the definitive text in the field and now available in an expanded third edition, Eighteenth-Century Poetry presents the rich diversity of English poetry from 1700-1800 in authoritative texts and with full scholarly annotation.
- Balanced to reflect current interests and "favorites" (including prominent poets like Finch, Swift, Pope, Montagu, Johnson, Gray, Burns, and Cowper) as well as less familiar material, offering a variety of voices and new directions for research and learning
- Includes 46 new poems with more texts by women poets and the inclusion of four additional poets (Mary Barber, Mehetabel Wright, Anna Seward, and Mary Robinson); poems reflecting new ecological approaches to 18th-century literature; and poems on the art of writing
- Accessible and user-friendly, with generous head notes, full foot-of-page annotations, an expanded thematic index, and a visually appealing text design
Back Jacket
Currently the definitive text in the field and now available in an expanded third edition, Eighteenth-Century Poetry: An Annotated Anthology presents the rich diversity of English poetry from 1700-1800 in authoritative texts and with full scholarly annotation. In the new edition, the editors reflect current interests with the inclusion of prominent poets such as Finch, Swift, Pope, Montagu, Johnson, Gray, Burns, and Cowper, alongside a generous selection of less familiar poems, providing a variety of voices and new directions for research and learning. This edition includes 46 new poems including a greater number of works by women poets, such as Mary Barber, Mehetabel Wright, Anna Seward and Mary Robinson; poems reflecting new ecological approaches to 18th-century literature; and poems on the art of writing.
As with previous editions, the anthology is accessible and user-friendly, with generous head notes, full foot-of-page annotations, an expanded thematic index, and a visually appealing text design. Featuring both classic poems and fascinating new discoveries, the third edition of Eighteenth-Century Poetry offers a lively and nuanced understanding of this extraordinary period to a new generation of students.
Author Biography
David Fairer is Professor of Eighteenth-Century English Literature at the University of Leeds, UK. His most recent book, Organising Poetry: The Coleridge Circle 1790-1798 (2009) traces the development of English poetry during the 1790s, building on the concerns of his previous comprehensive study, English Poetry of the Eighteenth Century, 1700-1789 (2003). He is also the author of The Poetry of Alexander Pope (1989) and Pope's Imagination (1984), and editor of The Correspondence of Thomas Warton (1995) and Pope: New Contexts (1990).
Christine Gerrard is the Barbara Scott Fellow and Tutor in English at Lady Margaret Hall, Oxford, UK. She has recently edited volume 1 of The Complete Correspondence of Samuel Richardson: Correspondence with Aaron Hill and the Hill Family (2013) which follows on from her literary biography Aaron Hill: The Muses' Projector, 1685-1750 (2003). She is the editor of A Companion to Eighteenth-Century Poetry (Wiley Blackwell, 2006) and the author of The Patriot Opposition to Walpole: Politics, Poetry, and National Myth, 1725-1742 (1994).
by David Fairer (Editor), Christine Gerrard (Editor)
Currently the definitive text in the field and now available in an expanded third edition, Eighteenth-Century Poetry presents the rich diversity of English poetry from 1700-1800 in authoritative texts and with full scholarly annotation.
- Balanced to reflect current interests and "favorites" (including prominent poets like Finch, Swift, Pope, Montagu, Johnson, Gray, Burns, and Cowper) as well as less familiar material, offering a variety of voices and new directions for research and learning
- Includes 46 new poems with more texts by women poets and the inclusion of four additional poets (Mary Barber, Mehetabel Wright, Anna Seward, and Mary Robinson); poems reflecting new ecological approaches to 18th-century literature; and poems on the art of writing
- Accessible and user-friendly, with generous head notes, full foot-of-page annotations, an expanded thematic index, and a visually appealing text design
Back Jacket
Currently the definitive text in the field and now available in an expanded third edition, Eighteenth-Century Poetry: An Annotated Anthology presents the rich diversity of English poetry from 1700-1800 in authoritative texts and with full scholarly annotation. In the new edition, the editors reflect current interests with the inclusion of prominent poets such as Finch, Swift, Pope, Montagu, Johnson, Gray, Burns, and Cowper, alongside a generous selection of less familiar poems, providing a variety of voices and new directions for research and learning. This edition includes 46 new poems including a greater number of works by women poets, such as Mary Barber, Mehetabel Wright, Anna Seward and Mary Robinson; poems reflecting new ecological approaches to 18th-century literature; and poems on the art of writing.
As with previous editions, the anthology is accessible and user-friendly, with generous head notes, full foot-of-page annotations, an expanded thematic index, and a visually appealing text design. Featuring both classic poems and fascinating new discoveries, the third edition of Eighteenth-Century Poetry offers a lively and nuanced understanding of this extraordinary period to a new generation of students.
Author Biography
David Fairer is Professor of Eighteenth-Century English Literature at the University of Leeds, UK. His most recent book, Organising Poetry: The Coleridge Circle 1790-1798 (2009) traces the development of English poetry during the 1790s, building on the concerns of his previous comprehensive study, English Poetry of the Eighteenth Century, 1700-1789 (2003). He is also the author of The Poetry of Alexander Pope (1989) and Pope's Imagination (1984), and editor of The Correspondence of Thomas Warton (1995) and Pope: New Contexts (1990).
Christine Gerrard is the Barbara Scott Fellow and Tutor in English at Lady Margaret Hall, Oxford, UK. She has recently edited volume 1 of The Complete Correspondence of Samuel Richardson: Correspondence with Aaron Hill and the Hill Family (2013) which follows on from her literary biography Aaron Hill: The Muses' Projector, 1685-1750 (2003). She is the editor of A Companion to Eighteenth-Century Poetry (Wiley Blackwell, 2006) and the author of The Patriot Opposition to Walpole: Politics, Poetry, and National Myth, 1725-1742 (1994).
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