Chicana Sexuality and Gender: Cultural Refiguring in Literature, Oral History, and Art - Paperback

Chicana Sexuality and Gender: Cultural Refiguring in Literature, Oral History, and Art - Paperback

SKU: 9780822343103 In Stock
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by Debra J. Blake (Author)

Since the 1980s Chicana writers including Gloria Anzaldúa, Cherríe Moraga, Sandra Cisneros, Ana Castillo, and Alma Luz Villanueva have reworked iconic Mexican cultural symbols such as mother earth goddesses and La Llorona (the Wailing Woman of Mexican folklore), re-imagining them as powerful female figures. After reading the works of Chicana writers who created bold, powerful, and openly sexual female characters, Debra J. Blake wondered how everyday Mexican American women would characterize their own lives in relation to the writers' radical reconfigurations of female sexuality and gender roles. To find out, Blake gathered oral histories from working-class and semiprofessional U.S. Mexicanas. In Chicana Sexuality and Gender, she compares the self-representations of these women with fictional and artistic representations by academic-affiliated, professional intellectual Chicana writers and visual artists, including Alma M. López and Yolanda López.

Blake looks at how the Chicana professional intellectuals and the U.S. Mexicana women refigure confining and demeaning constructions of female gender roles and racial, ethnic, and sexual identities. She organizes her analysis around re-imaginings of La Virgen de Guadalupe, La Llorona, indigenous Mexica goddesses, and La Malinche, the indigenous interpreter for Hernán Cortés during the Spanish conquest. In doing so, Blake reveals how the professional intellectuals and the working-class and semiprofessional women rework or invoke the female icons to confront the repression of female sexuality, limiting gender roles, inequality in male and female relationships, and violence against women. While the representational strategies of the two groups of women are significantly different and the U.S. Mexicanas would not necessarily call themselves feminists, Blake nonetheless illuminates a continuum of Chicana feminist thinking, showing how both groups of women expand lifestyle choices and promote the health and well-being of women of Mexican origin or descent.

Back Jacket

Debra J. Blake's approach to the discussion of the archetypes of La Malinche, La Llorona, and La Virgen de Guadalupe, and her inclusion of other lesser-known figures, allow her to go beyond the mere rehashing of the same old discussions as she introduces women's voices whose very existence questions the archetypes. By including and analyzing personal narratives collected in a series of interviews, the author explores the real-life existence of these figures in contemporary Chicana lives. This scholarly and illuminating text offers a fresh view of these often oversimplified images and icons found in Mexican female iconography.--Norma E. Cantu, author of "Canicula: Snapshots of a Girlhood en la Frontera"

Author Biography

Debra J. Blake is a lecturer in the Department of Chicano Studies at the University of Minnesota, Twin Cities.

Number of Pages: 296
Dimensions: 0.7 x 8.8 x 6.1 IN
Illustrated: Yes
Publication Date: October 31, 2008
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by Debra J. Blake (Author)

Since the 1980s Chicana writers including Gloria Anzaldúa, Cherríe Moraga, Sandra Cisneros, Ana Castillo, and Alma Luz Villanueva have reworked iconic Mexican cultural symbols such as mother earth goddesses and La Llorona (the Wailing Woman of Mexican folklore), re-imagining them as powerful female figures. After reading the works of Chicana writers who created bold, powerful, and openly sexual female characters, Debra J. Blake wondered how everyday Mexican American women would characterize their own lives in relation to the writers' radical reconfigurations of female sexuality and gender roles. To find out, Blake gathered oral histories from working-class and semiprofessional U.S. Mexicanas. In Chicana Sexuality and Gender, she compares the self-representations of these women with fictional and artistic representations by academic-affiliated, professional intellectual Chicana writers and visual artists, including Alma M. López and Yolanda López.

Blake looks at how the Chicana professional intellectuals and the U.S. Mexicana women refigure confining and demeaning constructions of female gender roles and racial, ethnic, and sexual identities. She organizes her analysis around re-imaginings of La Virgen de Guadalupe, La Llorona, indigenous Mexica goddesses, and La Malinche, the indigenous interpreter for Hernán Cortés during the Spanish conquest. In doing so, Blake reveals how the professional intellectuals and the working-class and semiprofessional women rework or invoke the female icons to confront the repression of female sexuality, limiting gender roles, inequality in male and female relationships, and violence against women. While the representational strategies of the two groups of women are significantly different and the U.S. Mexicanas would not necessarily call themselves feminists, Blake nonetheless illuminates a continuum of Chicana feminist thinking, showing how both groups of women expand lifestyle choices and promote the health and well-being of women of Mexican origin or descent.

Back Jacket

Debra J. Blake's approach to the discussion of the archetypes of La Malinche, La Llorona, and La Virgen de Guadalupe, and her inclusion of other lesser-known figures, allow her to go beyond the mere rehashing of the same old discussions as she introduces women's voices whose very existence questions the archetypes. By including and analyzing personal narratives collected in a series of interviews, the author explores the real-life existence of these figures in contemporary Chicana lives. This scholarly and illuminating text offers a fresh view of these often oversimplified images and icons found in Mexican female iconography.--Norma E. Cantu, author of "Canicula: Snapshots of a Girlhood en la Frontera"

Author Biography

Debra J. Blake is a lecturer in the Department of Chicano Studies at the University of Minnesota, Twin Cities.

Number of Pages: 296
Dimensions: 0.7 x 8.8 x 6.1 IN
Illustrated: Yes
Publication Date: October 31, 2008

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