Title
When the Moon Waxes Red: Representation, Gender and Cultural Politics - Paperback
by Trinh T. Minh-Ha (Author)
In this new collection of her provocative essays on Third World art and culture, Trinh Minh-ha offers new challenges to Western regimes of knowledge. Bringing to her subjects an acute sense of the many meanings of the marginal, she examines topics such as Asian and African texts, the theories of Barthes, questions of spectatorship, the enigmas of art, and the perils of anthropology.
When the Moon Waxes Red is an extended argument against reductive analyses, even those that appear politically adroit. The multiply-hyphenated peoples of color are not simply placed in a duality between two cultural heritages; throughout, Trinh describes the predicament of having to live "a difference that has no name and too many names already." She argues for multicultural revision of knowledge so that a new politics can transform reality rather than merely ideologize it. By rewriting the always emerging, already distorted place of struggle, such work seeks to "beat the master at his own game."Author Biography
Trinh Minh-ha is Chancellors' Distinguished Professor in Women's Studies at the University of California, Berkeley, and Associate Professor of Cinema at San Francisco State University. Among her films is SurnameViet Given Name Nam. She is the author of Women, Native, Other: Writing Postcoloniality and Feminism and, most recently, has coedited Out There: Marginalization inContemporary Culture.
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by Trinh T. Minh-Ha (Author)
In this new collection of her provocative essays on Third World art and culture, Trinh Minh-ha offers new challenges to Western regimes of knowledge. Bringing to her subjects an acute sense of the many meanings of the marginal, she examines topics such as Asian and African texts, the theories of Barthes, questions of spectatorship, the enigmas of art, and the perils of anthropology.
When the Moon Waxes Red is an extended argument against reductive analyses, even those that appear politically adroit. The multiply-hyphenated peoples of color are not simply placed in a duality between two cultural heritages; throughout, Trinh describes the predicament of having to live "a difference that has no name and too many names already." She argues for multicultural revision of knowledge so that a new politics can transform reality rather than merely ideologize it. By rewriting the always emerging, already distorted place of struggle, such work seeks to "beat the master at his own game."Author Biography
Trinh Minh-ha is Chancellors' Distinguished Professor in Women's Studies at the University of California, Berkeley, and Associate Professor of Cinema at San Francisco State University. Among her films is SurnameViet Given Name Nam. She is the author of Women, Native, Other: Writing Postcoloniality and Feminism and, most recently, has coedited Out There: Marginalization inContemporary Culture.
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We provide a 2-year limited warranty, from the date of purchase for all our products.
If you believe you have received a defective product, or are experiencing any problems with your product, please contact us.
This warranty strictly does not cover damages that arose from negligence, misuse, wear and tear, or not in accordance with product instructions (dropping the product, etc.).
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