Odilon Redon, Écrits - Paperback

by C. Moran (Editor)

This is the first ever edition of nine fictional writings by the French painter Odilon Redon (1840-1916). The text has been established from a transcription made by André Mellerio, which is currently housed at the Art Institute of Chicago (the original manuscript being unavailable).

Odilon Redon remains one of the central figures in nineteenth-century Word and Image studies.His book À soi-même constitutes a landmark in nineteenth-century autobiographical writing. While the literary aspect of Redon's work has been the focus of a body of criticism, the existence of a series of fictional writings by the painter has been overlooked. This edition seeks to contextualise Redon's texts within his oeuvre as well as in relation to the artistic developments in nineteenth-century France.

The first section offers a close reading of the two texts, '1870 décembre' and 'Le Fakir'. The first recounts the author's experiences as a soldier in the Franco-Prussian war and offers Redon's somewhat disillusioned meditations on man's propensity towards violence and desire for power. The second text, written the same year, is entirely different, offering a tongue-in-cheek self-portrait of the artist as a fakir. Redon's fakir lives in a modern world, tainted by decadence and falsehood, a far cry from the reality of the Franco-Prussian war.

The second section considers 'Un Séjour dans le pays basque' and 'Le Récit de Marthe la folle'. The first follows on from the autobiographical genre, as it relates Redon's 1861 trip to the Basque country. It is, above all, the exoticism of this place and its inhabitants which the artist highlights. The Basque country is home to a type of primitivism which also inspired many of Redon's drawings. In the second story, it is the underside of this primitive world which comes to the fore. The heroine, 19-year-old Marthe, is captured by a gorilla, when her ship falls prey to a storm at the Cape of Good Hope. Redon brings together the themes of the force of nature, madness and the unconscious in his description of Marthe's demise.

The following section follows on from the sense of ambiguity surrounding the figure of Marthe to discuss two texts which fall into the category of the fantastic, 'Une histoire incompréhensible' and 'Nuit de fièvre'. The first text also holds an element of travel writing, as it depicts the author's journey by night on a train. However, the story focuses on the strange encounter between the young narrator and a mysterious older woman, who paralyses him while he sleeps. The second story also focuses on a strange encounter; this time, the narrator, spending a night in an unknown house is confronted with a beast who appears to be locked in a trunk in his bedroom.

Redon's experimentations in the genre of the fantastic are reflected in his experimentations in prose poetry, discussed in the third section. 'Le Cri', 'La Ronde d'amour' and 'Il Rêve' are essentially poetical texts. The first offers a brief meditation on one of the artist's most recurrent themes: the divisions between the human and the animal world. The second text is a celebration of life itself focusing on the dancing of young girls, while the third text serves as an imaginative psychological regression.

These texts offer a close insight into the importance Redon attributed to the medium of literature as a form of artistic expression. He remains one of the few international artists to have fully exploited the expressive potential of fiction in particular. The discovery and publication of these texts raise new issues, not only in relation to Redon's artistic impulses, but also about the complementarity of the visual and the verbal in nineteenth-century France and on a wider scale, lead us to consider the role of artists in the shaping of modern literature.