Title
Machiavelli in Love: Sex, Self, and Society in the Italian Renaissance - Paperback
by Guido Ruggiero (Author)
Machiavelli in Love introduces a complex concept of sex and sexual identity and their roles in the culture and politics of the Italian Renaissance. Guido Ruggiero's study counters the consensus among historians and literary critics that there was little sense of individual identity and almost no sense of sexual identity before the modern period. Drawing from the works of major literary figures such as Boccaccio, Aretino, and Castiglione, and rereading them against archival evidence, Ruggiero examines the concept of identity via consensus realities of family, neighbors, friends, and social peers, as well as broader communities and solidarities. The author contends that Renaissance Italians understood sexual identity as a part of the human life cycle, something that changed throughout stages of youthful experimentation, marriage, adult companionship, and old age. Machiavelli's letters and literary production reveal a fascinating construction of self that is highly reliant on sexual reputation. Ruggiero's challenging reinterpretation of this canonical figure, as well as his unique treatment of other major works of the period, offer new approaches for reading Renaissance literature and new understandings of the way life was lived and perceived during this time.
Front Jacket
Machiavelli in Love introduces an exciting new concept of sex and sexual identity and their roles in the culture and politics of the Italian Renaissance. Guido Ruggiero's study counters the consensus among historians and literary critics that there was little sense of individual identity and almost no sense of sexual identity before the modern period.
Ruggiero's intent in Machiavelli in Love is much more than a recasting of Machiavelli: it is to examine self and identity in the Renaissance . . . One can applaud his insertion of the playful into our sense of the Renaissance.--Renaissance Quarterly
One of the book's achievements is that it shows the extent to which the literature of high culture had deep roots in everyday experience. Few will ever again doubt the importance of sex in creating Renaissance identity.--Journal of Interdisciplinary History
This provocative and complicated work about sex and self-fashioning sits at the nexus of historical and literary studies . . . It challenges readers to rethink both traditional literary interpretations and historical understanding.--Choice
Guido Ruggiero is professor and chair of the Department of History at the University of Miami. He is coeditor and cotranslator of Five Comedies from the Italian Renaissance, also published by Johns Hopkins, and author of several books, including Sex and Gender in Historical Perspective, Binding Passions: Tales of Magic, Marriage, and Power at the End of the Renaissance and The Boundaries of Eros: Sex, Crime, and Sexuality in Renaissance Venice.
--Edward Muir, Northwestern University, author of Civic Ritual in Renaissance Venice and Mad Blood Stirring: Vendetta and Factions in Friuli during the Renaissance "Annali d' Italianistica"Back Jacket
Machiavelli in Love introduces an exciting new concept of sex and sexual identity and their roles in the culture and politics of the Italian Renaissance. Guido Ruggiero's study counters the consensus among historians and literary critics that there was little sense of individual identity and almost no sense of sexual identity before the modern period.
"Ruggiero's intent in Machiavelli in Love is much more than a recasting of Machiavelli: it is to examine self and identity in the Renaissance . . . One can applaud his insertion of the playful into our sense of the Renaissance."--Renaissance Quarterly
"One of the book's achievements is that it shows the extent to which the literature of high culture had deep roots in everyday experience. Few will ever again doubt the importance of sex in creating Renaissance identity."--Journal of Interdisciplinary History
"This provocative and complicated work about sex and self-fashioning sits at the nexus of historical and literary studies . . . It challenges readers to rethink both traditional literary interpretations and historical understanding."--Choice
Guido Ruggiero is professor and chair of the Department of History at the University of Miami. He is coeditor and cotranslator of Five Comedies from the Italian Renaissance, also published by Johns Hopkins, and author of several books, including Sex and Gender in Historical Perspective, Binding Passions: Tales of Magic, Marriage, and Power at the End of the Renaissance and The Boundaries of Eros: Sex, Crime, and Sexuality in Renaissance Venice.
Author Biography
Guido Ruggiero is professor and chair of the Department of History at the University of Miami. He is coeditor and cotranslator of Five Comedies from the Italian Renaissance, also published by Johns Hopkins, and author of several books, including Sex and Gender in Historical Perspective; Binding Passions: Tales of Magic, Marriage, and Power at the End of the Renaissance; and The Boundaries of Eros: Sex, Crime, and Sexuality in Renaissance Venice.
by Guido Ruggiero (Author)
Machiavelli in Love introduces a complex concept of sex and sexual identity and their roles in the culture and politics of the Italian Renaissance. Guido Ruggiero's study counters the consensus among historians and literary critics that there was little sense of individual identity and almost no sense of sexual identity before the modern period. Drawing from the works of major literary figures such as Boccaccio, Aretino, and Castiglione, and rereading them against archival evidence, Ruggiero examines the concept of identity via consensus realities of family, neighbors, friends, and social peers, as well as broader communities and solidarities. The author contends that Renaissance Italians understood sexual identity as a part of the human life cycle, something that changed throughout stages of youthful experimentation, marriage, adult companionship, and old age. Machiavelli's letters and literary production reveal a fascinating construction of self that is highly reliant on sexual reputation. Ruggiero's challenging reinterpretation of this canonical figure, as well as his unique treatment of other major works of the period, offer new approaches for reading Renaissance literature and new understandings of the way life was lived and perceived during this time.
Front Jacket
Machiavelli in Love introduces an exciting new concept of sex and sexual identity and their roles in the culture and politics of the Italian Renaissance. Guido Ruggiero's study counters the consensus among historians and literary critics that there was little sense of individual identity and almost no sense of sexual identity before the modern period.
Ruggiero's intent in Machiavelli in Love is much more than a recasting of Machiavelli: it is to examine self and identity in the Renaissance . . . One can applaud his insertion of the playful into our sense of the Renaissance.--Renaissance Quarterly
One of the book's achievements is that it shows the extent to which the literature of high culture had deep roots in everyday experience. Few will ever again doubt the importance of sex in creating Renaissance identity.--Journal of Interdisciplinary History
This provocative and complicated work about sex and self-fashioning sits at the nexus of historical and literary studies . . . It challenges readers to rethink both traditional literary interpretations and historical understanding.--Choice
Guido Ruggiero is professor and chair of the Department of History at the University of Miami. He is coeditor and cotranslator of Five Comedies from the Italian Renaissance, also published by Johns Hopkins, and author of several books, including Sex and Gender in Historical Perspective, Binding Passions: Tales of Magic, Marriage, and Power at the End of the Renaissance and The Boundaries of Eros: Sex, Crime, and Sexuality in Renaissance Venice.
--Edward Muir, Northwestern University, author of Civic Ritual in Renaissance Venice and Mad Blood Stirring: Vendetta and Factions in Friuli during the Renaissance "Annali d' Italianistica"Back Jacket
Machiavelli in Love introduces an exciting new concept of sex and sexual identity and their roles in the culture and politics of the Italian Renaissance. Guido Ruggiero's study counters the consensus among historians and literary critics that there was little sense of individual identity and almost no sense of sexual identity before the modern period.
"Ruggiero's intent in Machiavelli in Love is much more than a recasting of Machiavelli: it is to examine self and identity in the Renaissance . . . One can applaud his insertion of the playful into our sense of the Renaissance."--Renaissance Quarterly
"One of the book's achievements is that it shows the extent to which the literature of high culture had deep roots in everyday experience. Few will ever again doubt the importance of sex in creating Renaissance identity."--Journal of Interdisciplinary History
"This provocative and complicated work about sex and self-fashioning sits at the nexus of historical and literary studies . . . It challenges readers to rethink both traditional literary interpretations and historical understanding."--Choice
Guido Ruggiero is professor and chair of the Department of History at the University of Miami. He is coeditor and cotranslator of Five Comedies from the Italian Renaissance, also published by Johns Hopkins, and author of several books, including Sex and Gender in Historical Perspective, Binding Passions: Tales of Magic, Marriage, and Power at the End of the Renaissance and The Boundaries of Eros: Sex, Crime, and Sexuality in Renaissance Venice.
Author Biography
Guido Ruggiero is professor and chair of the Department of History at the University of Miami. He is coeditor and cotranslator of Five Comedies from the Italian Renaissance, also published by Johns Hopkins, and author of several books, including Sex and Gender in Historical Perspective; Binding Passions: Tales of Magic, Marriage, and Power at the End of the Renaissance; and The Boundaries of Eros: Sex, Crime, and Sexuality in Renaissance Venice.
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We deliver your parcel within 2–3 working days. As soon as your package has left our warehouse, you will receive a confirmation by email. This confirmation contains a tracking number that you can use to find out where your package is.
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We provide a 2-year limited warranty, from the date of purchase for all our products.
If you believe you have received a defective product, or are experiencing any problems with your product, please contact us.
This warranty strictly does not cover damages that arose from negligence, misuse, wear and tear, or not in accordance with product instructions (dropping the product, etc.).
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Your payment information is processed securely. We do not store credit card details nor have access to your credit card information.
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