Title
I'm Just a Comic Book Boy: Essays on the Intersection of Comics and Punk - Paperback
by Christopher B. Field (Editor), Keegan Lannon (Editor), Michael David MacBride (Editor)
Comics and the punk movement are inextricably linked--each has a foundational do-it-yourself ethos and a nonconformist spirit defiant of authority. This collection of new essays provides for the first time a thorough analysis of the intersections between comics and punk. The contributors expand the discussion beyond the familiar U.S. and UK scenes to include the influence punk has had on comics produced in other countries, such as Spain and Turkey.
Front Jacket
Comics and the punk movement are inextricably linked--each has a foundational do-it-yourself ethos and a nonconformist spirit defiant of authority. This collection of new essays provides for the first time a thorough analysis of the intersections between comics and punk. The contributors expand the discussion beyond the familiar U.S. and UK scenes to include the influence punk has had on comics produced in other countries, such as Spain and Turkey.
Author Biography
Christopher B. Field is an associate professor in the languages, literature, and philosophy department at Tennessee State University. His interests include contemporary, 20th-century and early American literature, and popular culture, rhetoric and composition. Keegan Lannon is a lecturer at the University of Illinois Chicago. He has published and presented on comics and narrative theory. Michael David MacBride has taught a variety of English, literature, and humanities courses at universities in and around the Midwest. He lives in Shakopee, Minnesota. Christopher C. Douglas is an instructor at the University of Alabama. His scholarly interests include the creation of commu.nity in fiction, non-human narration, and the history of the novel.
by Christopher B. Field (Editor), Keegan Lannon (Editor), Michael David MacBride (Editor)
Comics and the punk movement are inextricably linked--each has a foundational do-it-yourself ethos and a nonconformist spirit defiant of authority. This collection of new essays provides for the first time a thorough analysis of the intersections between comics and punk. The contributors expand the discussion beyond the familiar U.S. and UK scenes to include the influence punk has had on comics produced in other countries, such as Spain and Turkey.
Front Jacket
Comics and the punk movement are inextricably linked--each has a foundational do-it-yourself ethos and a nonconformist spirit defiant of authority. This collection of new essays provides for the first time a thorough analysis of the intersections between comics and punk. The contributors expand the discussion beyond the familiar U.S. and UK scenes to include the influence punk has had on comics produced in other countries, such as Spain and Turkey.
Author Biography
Christopher B. Field is an associate professor in the languages, literature, and philosophy department at Tennessee State University. His interests include contemporary, 20th-century and early American literature, and popular culture, rhetoric and composition. Keegan Lannon is a lecturer at the University of Illinois Chicago. He has published and presented on comics and narrative theory. Michael David MacBride has taught a variety of English, literature, and humanities courses at universities in and around the Midwest. He lives in Shakopee, Minnesota. Christopher C. Douglas is an instructor at the University of Alabama. His scholarly interests include the creation of commu.nity in fiction, non-human narration, and the history of the novel.
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