Title
Funnybooks: The Improbable Glories of the Best American Comic Books - Paperback
by Michael Barrier (Author)
Funnybooks is the story of the most popular American comic books of the 1940s and 1950s, those published under the Dell label. For a time, "Dell Comics Are Good Comics" was more than a slogan--it was a simple statement of fact. Many of the stories written and drawn by people like Carl Barks (Donald Duck, Uncle Scrooge), John Stanley (Little Lulu), and Walt Kelly (Pogo) repay reading and rereading by educated adults even today, decades after they were published as disposable entertainment for children. Such triumphs were improbable, to say the least, because midcentury comics were so widely dismissed as trash by angry parents, indignant librarians, and even many of the people who published them. It was all but miraculous that a few great cartoonists were able to look past that nearly universal scorn and grasp the artistic potential of their medium. With clarity and enthusiasm, Barrier explains what made the best stories in the Dell comic books so special. He deftly turns a complex and detailed history into an expressive narrative sure to appeal to an audience beyond scholars and historians.
Front Jacket
Way back when the idea of a 'comics scholar' sounded like the punch line to a bad joke, Michael Barrier was a serious historian, a discriminating aesthetician, a trustworthy guide, and an impassioned lover of... funnybooks. His keen and analytic championing of Carl Barks's Donald Duck, Walt Kelly's Pogo, and John Stanley's Little Lulu is revelatory proof not only that comic books are worthy of adult attention but that the most rewarding have often been those aimed at the very youngest readers.--Art Spiegelman, comix artist and author of Maus
If all you know about comic books is their variants on tales of superheroes, prepare to discover how much more 'funnybooks' offered from the beginning. Here is a pioneering look at the people, the stories, and the businesses that brought four-color fun to young readers during and after World War II. Michael Barrier draws back the curtain that has long hidden much of the world of what was once dismissed as kiddie fare. After following the comic-book field in depth for more than half a century, I'm stunned and delighted to find the wealth of information new to me that he now brings to light.--Maggie Thompson, writer and editor for three decades of Comics Buyer's GuideBack Jacket
Way back when the idea of a 'comics scholar' sounded like the punch line to a bad joke, Michael Barrier was a serious historian, a discriminating aesthetician, a trustworthy guide, and an impassioned lover of... funnybooks. His keen and analytic championing of Carl Barks's Donald Duck, Walt Kelly's Pogo, and John Stanley's Little Lulu is revelatory proof not only that comic books are worthy of adult attention but that the most rewarding have often been those aimed at the very youngest readers.--Art Spiegelman, comix artist and author of Maus
"If all you know about comic books is their variants on tales of superheroes, prepare to discover how much more 'funnybooks' offered from the beginning. Here is a pioneering look at the people, the stories, and the businesses that brought four-color fun to young readers during and after World War II. Michael Barrier draws back the curtain that has long hidden much of the world of what was once dismissed as kiddie fare. After following the comic-book field in depth for more than half a century, I'm stunned and delighted to find the wealth of information new to me that he now brings to light."--Maggie Thompson, writer and editor for three decades of Comics Buyer's GuideAuthor Biography
Michael Barrier is the author of Hollywood Cartoons: American Animation in Its Golden Age and The Animated Man: A Life of Walt Disney. He is also coeditor (with Martin Williams) of A Smithsonian Book of Comic-Book Comics and coauthor (with Harvey Kurtzman) of From Aargh! to Zap! Harvey Kurtzman's Visual History of the Comics.
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by Michael Barrier (Author)
Funnybooks is the story of the most popular American comic books of the 1940s and 1950s, those published under the Dell label. For a time, "Dell Comics Are Good Comics" was more than a slogan--it was a simple statement of fact. Many of the stories written and drawn by people like Carl Barks (Donald Duck, Uncle Scrooge), John Stanley (Little Lulu), and Walt Kelly (Pogo) repay reading and rereading by educated adults even today, decades after they were published as disposable entertainment for children. Such triumphs were improbable, to say the least, because midcentury comics were so widely dismissed as trash by angry parents, indignant librarians, and even many of the people who published them. It was all but miraculous that a few great cartoonists were able to look past that nearly universal scorn and grasp the artistic potential of their medium. With clarity and enthusiasm, Barrier explains what made the best stories in the Dell comic books so special. He deftly turns a complex and detailed history into an expressive narrative sure to appeal to an audience beyond scholars and historians.
Front Jacket
Way back when the idea of a 'comics scholar' sounded like the punch line to a bad joke, Michael Barrier was a serious historian, a discriminating aesthetician, a trustworthy guide, and an impassioned lover of... funnybooks. His keen and analytic championing of Carl Barks's Donald Duck, Walt Kelly's Pogo, and John Stanley's Little Lulu is revelatory proof not only that comic books are worthy of adult attention but that the most rewarding have often been those aimed at the very youngest readers.--Art Spiegelman, comix artist and author of Maus
If all you know about comic books is their variants on tales of superheroes, prepare to discover how much more 'funnybooks' offered from the beginning. Here is a pioneering look at the people, the stories, and the businesses that brought four-color fun to young readers during and after World War II. Michael Barrier draws back the curtain that has long hidden much of the world of what was once dismissed as kiddie fare. After following the comic-book field in depth for more than half a century, I'm stunned and delighted to find the wealth of information new to me that he now brings to light.--Maggie Thompson, writer and editor for three decades of Comics Buyer's GuideBack Jacket
Way back when the idea of a 'comics scholar' sounded like the punch line to a bad joke, Michael Barrier was a serious historian, a discriminating aesthetician, a trustworthy guide, and an impassioned lover of... funnybooks. His keen and analytic championing of Carl Barks's Donald Duck, Walt Kelly's Pogo, and John Stanley's Little Lulu is revelatory proof not only that comic books are worthy of adult attention but that the most rewarding have often been those aimed at the very youngest readers.--Art Spiegelman, comix artist and author of Maus
"If all you know about comic books is their variants on tales of superheroes, prepare to discover how much more 'funnybooks' offered from the beginning. Here is a pioneering look at the people, the stories, and the businesses that brought four-color fun to young readers during and after World War II. Michael Barrier draws back the curtain that has long hidden much of the world of what was once dismissed as kiddie fare. After following the comic-book field in depth for more than half a century, I'm stunned and delighted to find the wealth of information new to me that he now brings to light."--Maggie Thompson, writer and editor for three decades of Comics Buyer's GuideAuthor Biography
Michael Barrier is the author of Hollywood Cartoons: American Animation in Its Golden Age and The Animated Man: A Life of Walt Disney. He is also coeditor (with Martin Williams) of A Smithsonian Book of Comic-Book Comics and coauthor (with Harvey Kurtzman) of From Aargh! to Zap! Harvey Kurtzman's Visual History of the Comics.
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We deliver your parcel within 2–3 working days. As soon as your package has left our warehouse, you will receive a confirmation by email. This confirmation contains a tracking number that you can use to find out where your package is.
Returns
We offer free returns within 30 days. All you have to do is fill out the return slip that you received in your package and stick the prepaid label on the package.Please note that it can take 2 weeks for us to process your return. We will do our best to complete this process as soon as possible.
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We provide a 2-year limited warranty, from the date of purchase for all our products.
If you believe you have received a defective product, or are experiencing any problems with your product, please contact us.
This warranty strictly does not cover damages that arose from negligence, misuse, wear and tear, or not in accordance with product instructions (dropping the product, etc.).
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Your payment information is processed securely. We do not store credit card details nor have access to your credit card information.
We accept payments with :
Visa, MasterCard, American Express, Paypal, Diners Club, Discover and more.