Title
Frontier Club: Popular Westerns and Cultural Power, 1880-1924 - Hardcover
by Christine Bold (Author)
From Hollywood films to novels by Louis L'Amour and television series like Gunsmoke and Deadwood, the Wild West has exerted a powerful hold on the cultural imagination of the United States. Beginning with Theodore Roosevelt's founding of the Boone and Crockett Club in 1887, Christine Bold traces the origins and evolution of the western genre, revealing how a group of prominent eastern aristocrats-a cadre she terms "the frontier club" -created and propagated the myth of the Wild West to advance their own self-interest as well as larger systems of privilege and exclusion.
Mining institutional archives, personal papers, novels, and films, The Frontier Club excavates the hidden social, political, and financial interests behind the making of the modern western. It re-reads frontier-club fiction, most notably Owen Wister's bestseller The Virginian, in relation to federal policies and cultural spaces (from exclusive gentlemen's clubs to national parks to zoos); it casts new light on key clubmen, both the famous and the forgotten-figures such as Roosevelt, George Bird Grinnell, Silas Weir Mitchell, Henry Cabot Lodge, and Frederic Remington-while recovering the women on whom these men depended and without whom this version of the popular West would not exist; and it considers the costs of the frontier-club formula, in terms of its impact on Indigenous peoples and its marginalization of other popular voices, including western writings by African Americans, women, and working-class white men. An engaging cultural history that covers print culture, big-game hunting, politics, immigration, Jim Crow segregation, and environmental conservation at the turn of the twentieth century, The Frontier Club provides a welcome new perspective on the enduring American myth of the Wild West.Author Biography
Christine Bold is Professor of English at the University of Guelph. Her previous books include U.S. Popular Print Culture, 1860-1920; Selling the Wild West: Popular Western Fiction, 1860-1960; Writers, Plumbers, and Anarchists: The WPA Writers' Project in Massachusetts; and The WPA Guides: Mapping America.
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by Christine Bold (Author)
From Hollywood films to novels by Louis L'Amour and television series like Gunsmoke and Deadwood, the Wild West has exerted a powerful hold on the cultural imagination of the United States. Beginning with Theodore Roosevelt's founding of the Boone and Crockett Club in 1887, Christine Bold traces the origins and evolution of the western genre, revealing how a group of prominent eastern aristocrats-a cadre she terms "the frontier club" -created and propagated the myth of the Wild West to advance their own self-interest as well as larger systems of privilege and exclusion.
Mining institutional archives, personal papers, novels, and films, The Frontier Club excavates the hidden social, political, and financial interests behind the making of the modern western. It re-reads frontier-club fiction, most notably Owen Wister's bestseller The Virginian, in relation to federal policies and cultural spaces (from exclusive gentlemen's clubs to national parks to zoos); it casts new light on key clubmen, both the famous and the forgotten-figures such as Roosevelt, George Bird Grinnell, Silas Weir Mitchell, Henry Cabot Lodge, and Frederic Remington-while recovering the women on whom these men depended and without whom this version of the popular West would not exist; and it considers the costs of the frontier-club formula, in terms of its impact on Indigenous peoples and its marginalization of other popular voices, including western writings by African Americans, women, and working-class white men. An engaging cultural history that covers print culture, big-game hunting, politics, immigration, Jim Crow segregation, and environmental conservation at the turn of the twentieth century, The Frontier Club provides a welcome new perspective on the enduring American myth of the Wild West.Author Biography
Christine Bold is Professor of English at the University of Guelph. Her previous books include U.S. Popular Print Culture, 1860-1920; Selling the Wild West: Popular Western Fiction, 1860-1960; Writers, Plumbers, and Anarchists: The WPA Writers' Project in Massachusetts; and The WPA Guides: Mapping America.
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This warranty strictly does not cover damages that arose from negligence, misuse, wear and tear, or not in accordance with product instructions (dropping the product, etc.).
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